Don Quixote

Don Q hero Photo Credits

Charles Kirby and Jacques Gorrissen as Don Quixote and Sancho Panza in Don Quixote (ca. 1982). Photo by Barry Gray.

  • Irene and Jury copy 2
    Irene and Jury copy 2

    Irene Apiné and Jury Gotshalks as Kitri and Basilio in the Pas de Deux from Don Quixote (ca. 1953).  

  • Martine Van Hamel copy 2
    Martine Van Hamel copy 2

    Martine van Hamel as Kitri in the Pas de Deux from Don Quixote (1963).

  • Don Q hero copy 2
    Don Q hero copy 2

    Charles Kirby and Jacques Gorrissen as Don Quixote and Sancho Panza in Don Quixote (ca. 1982).

  • Beriozoff copy 2
    Beriozoff copy 2

    Nicolas Beriozoff rehearsing Don Quixote with Artists of the Ballet (1982). 

  • Don Q sketch copy 2
    Don Q sketch copy 2

    Don Quixote costume sketch by Desmond Heeley (1984). 

  • Chan and Kevin copy 2
    Chan and Kevin copy 2

    Marcia Haydée, Kevin Pugh and Yoko Ichino backstage after a Don Quixote performance on the European Tour (1985).

  • Bruhn letter copy 2
    Bruhn letter copy 2

    Erik Bruhn’s letter to the company (1986). 

  • 2007 production copy 2
    2007 production copy 2

    Hazaros Surmeyan and Piotr Stanczyk as Don Quixote and Sancho Panza in Balanchine’s Don Quixote (2007). 

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Our History

Irene and Jury copy 1 

Artistic Director Celia Franca added Marius Petipa’s famous Don Quixote Pas De Deux to the repertoire one month after The National Ballet of Canada’s founding. The Pas De Deux was first performed by husband and wife pairing Irene Apiné and Jury Gotshalks on December 10, 1951 at the Forest Hill Community Centre.

In 1953, the National Ballet was invited to perform at Jacob’s Pillow Dance Festival, the longest running international summer dance festival in the United States. This marked The National Ballet of Canada’s American debut and saw the company perform an array of ballets, including the Don Quixote Pas De Deux featuring Apiné and Gotshalks reprising their roles as Kitri and Basilio. The National Ballet of Canada returned to the prestigious festival only once more in 1957. 

Irene Apiné and Jury Gotshalks as Kitri and Basilio in the Pas de Deux from Don Quixote (ca. 1953). 

 Martine Van Hamel copy 1   

 

Two new versions of the Don Quixote Pas de Deux were staged during the 1963/64 season. The first was by Svetlana Beriosova, daughter of Nicolas Beriozoff, after the original Marius Petipa. The second was staged by National Ballet Principal Dancer Galina Samtsova, after Eugen Valukin. A young Martine van Hamel was cast exclusively as Kitri in both versions throughout the season. After leaving the National Ballet in 1969, van Hamel continued her illustrious performing career as a Principal Dancer with American Ballet Theatre for over 20 years. 

Martine van Hamel as Kitri in the Pas de Deux from Don Quixote (1963). 

 Beriozoff copy 1   

 

In 1982, celebrated Ballet Master Nicholas Beriozoff mounted the full-length version of Don Quixote on the National Ballet. This version was set to the traditional composition of Ludwig Minkus, orchestrated and adapted by John Lanchbery and featured designs by Emanuele Luzzati. 

Beriozoff’s Don Quixote premiered at the O’Keefe Centre in Toronto on November 12, 1982 with Charles Kirby in the title role, and Karen Kain and Frank Augustyn as the young lovers Kitri and Basilio. 

Nicolas Beriozoff rehearsing Don Quixote with Artists of the Ballet (1982). 

 Chan and Kevin copy 1   

 

 

In the Spring of 1985 The National Ballet of Canada included Don Quixote in its extensive tour throughout Europe. It was performed 17 times in 10 cities, including Luxembourg, Berlin, Zurich and Milan. 

Marcia Haydée, Kevin Pugh and Yoko Ichino backstage after a Don Quixote performance on the European Tour (1985). 

 Don Q sketch copy 1   

 

Artistic Director Erik Bruhn commissioned Desmond Heeley to breathe new life into Don Quixote through the creation of new sets and costumes. The production premiered on November 6, 1985 at Toronto’s O’Keefe Centre and again featured Charles Kirby as Don Quixote alongside American Ballet Theatre’s Cynthia Gregory and Fernando Bujones in the roles of Kitri and Basilio. The pairing of these special Guest Artists was hailed by the press as “a partnership made in heaven”. 

Don Quixote costume sketch by Desmond Heeley (1984). 

 Bruhn letter copy 1   

 

 

Shortly before his untimely death on April 1, 1986 Artistic Director Erik Bruhn addressed company members in a personal letter celebrating the triumph of the revamped Don Quixote. The new production had been restored as a popular favourite among the National Ballet’s repertoire while at the same time cementing Erik Bruhn’s lasting legacy as the company’s Artistic Director. 

Erik Bruhn’s letter to the company (1986). 

Read Erik Bruhn's Letter to the company 

 2007 production copy 1 

The National Ballet of Canada was granted the rare opportunity in the 2006/07 season to mount George Balanchine’s Don Quixote as restaged by Suzanne Farrell. The original production created for New York City Ballet in 1965 had stopped being performed by 1978, only to be revived by Farrell’s own company in 2005. Set to a commissioned score by composer Nicolas Nabokov, Balanchine’s adaptation departs from the traditionally choreographed versions of Miguel de Cervantes’s story and makes Don Quixote himself the central subject in a much darker ballet. 

Balanchine’s modern masterpiece had its National Ballet premiere at the Four Season Centre for the Performing Arts in Toronto on June 15, 2007 with Hazaros Surmeyan as the tragic hero Don Quixote and Heather Ogden as his unattainable love Dulcinea. 

Hazaros Surmeyan and Piotr Stanczyk as Don Quixote and Sancho Panza in Balanchine’s Don Quixote (2007). 

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