Los Angeles, California




Romeo and Juliet Photo Credits

Heather Ogden and Guillaume Côté in Romeo and Juliet. Photo by Johan Persson.

Romeo and Juliet by Alexei Ratmansky

July 10—13, 2014
The Music Center
Los Angeles, California

  • Romeo and Juliet
    Romeo and Juliet

    Guillaume Côté and Heather Ogden in Romeo and Juliet. Photo by Johan Persson. 

  • R&J - Gallery 2
    R&J - Gallery 2

    Jiří Jelinek with Artists of the Ballet in Romeo and Juliet. Photo by Bruce Zinger.

  • R&J - Gallery 3
    R&J - Gallery 3

    Artists of the Ballet in Romeo and Juliet. Photo by Aleksandar Antonijevic.

  • Romeo and Juliet in London, England
    Romeo and Juliet in London, England

    Heather Ogden and Guillaume Côté in Romeo and Juliet. Photo by Johan Persson.

  • R&J - Gallery 5
    R&J - Gallery 5

    Joanna Ivey and Etienne Lavigne with Artists of the Ballet in Romeo and Juliet. Photo by Bruce Zinger.

  • R&J - Gallery 6
    R&J - Gallery 6

    Piotr Staczyk and Jiří Jelinek in Romeo and Juliet. Photo by Bruce Zinger.

Used to display videos in gallery form within a tab. This is a work around for the issue of videos not playing from within Lightbox on iOS devices.

Reviews 

“Juliet (a light, bright Heather Ogden) is all recklessly fast footwork and wheeling jumps. Romeo (faultlessly danced by Guillaume Côté) has a poet's sensibility that registers in the airy drift of his arms and upper body. Ratmansky's version is rich in dramatic and choreographic insights." The Guardian, 2013 (pdf) 

“The National Ballet of Canada move with bright footwork and easy upper bodies: this is a lively, confident company.” The Independent, 2013 

"Ratmansky’s Prokofiev staging, made in Toronto to mark the company’s 60th anniversary in 2011, is a fresh take… his imagination and invention cast Prokofiev's score in an entirely unexpected and welcome new light—a remarkable achievement” The Times, 2013 (pdf) 

“Ratmansky is such a wonderful choreographer that this stylised approach is never less than lovely, and it reaps dividends in the insightful detail it finds.”
The Telegraph, 2013 

“Packed with sprightly steps and joie de vivre this is the most youthful R&J I have seen.” The Daily Express, 2013 

 /4 A Romeo and Juliet with soul…. a choreographic delight, rich in detail, subtle in its musicality and always dramatically expressive"
The Toronto Star, 2013 (pdf) 

"Ratmansky has taken the essence of youth — that rush toward a tomorrow surely filled with adventure — and distilled it into a potent dance, filled with joy and tragedy in equal measure." The Toronto Sun, 2013 

“Ratmansky’s love of speed and virtuosity in full display in Romeo and Juliet… In his version of Romeo and Juliet, love acts like a triple shot of espresso, jolting the limbs as well as the hearts of the title hero and heroine… this relentless energy gives the ballet its contemporary flavour.”
Ottawa Citizen, 2013 (pdf) 

“And this National Ballet production is as good as it gets.” American Record Guide, 2012 

“totally fresh… refreshing energy and a witty, unexpected slant. “ The Times, UK, 2011 

 /4 A triumph of impassioned dancing and inventively challenging choreography.” The Toronto Star, 2011 

“Ratmansky is the king of speed and danger...brilliant at drawing character and he understands how to highlight dramatic moments within the music. A Romeo and Juliet that builds in both excitement and pathos.” The Globe and Mail, 2011 

“Dazzling combat choreography... sweeping lifts. A new modern classic for the company’s diamond anniversary.” The National Post, 2011 

"[A Romeo and Juliet] to treasure for the next 60 years." Toronto Sun, 2011 

“a moment for the National Ballet to celebrate… sublime” The Walrus, 2011 

“A triumph for Kain and company… one of those moments that defined the company's history” The Montreal Gazette, 2011 

“NBC can claim to be in possession of an engrossingly thoughtful, theatrically compelling production whose swift pace and dramatic clarity may appeal to a new generation of ballet-goers.” Dancing Times, 2012 

“Ratmansky spreads the drama throughout the ballet, spinning an even more epic tale than usual” Dance Magazine, 2011 

Synopsis

 
   

ACT I

Scene I
Morning in the Italian Renaissance city of Verona. Romeo, of the Montague family, greets the awakening day. As the city comes to life, Romeo is joined by two friends, Mercutio and Benvolio, and the market square is soon filled with people. The bitter enmity between the Montague and Capulet families emerges with the arrival of Tybalt, a Capulet. Innocuous teasing escalates into swordplay as Tybalt fights with Benvolio and Mercutio. Lord and Lady Capulet and Lord and Lady Montague enter. There is a brief lull in the fighting but soon Capulet and Montague take up swords themselves. The Duke of Verona enters with his guards and intervenes, chastening all of the combatants. The crowd parts, revealing the bodies of two dead young men.

Scene II
In her bedroom, Juliet, the daughter of Lord and Lady Capulet, plays affectionately with her Nurse as she prepares for a ball. Her mother enters and tells her of Paris, an aristocratic suitor, whom they expect Juliet to marry. Her father enters with Paris. Juliet is uncertain about the arrangement but she receives Paris graciously.

Scene III
A lavish ball at the Capulet home. Juliet is being displayed by her father for the assembled guests. Disguised by masks, Romeo, Mercutio and Benvolio slip unannounced into the ball. When Romeo sees Juliet, he is immediately lovestruck. After Juliet dances with Paris, Romeo approaches her and professes his feelings. Juliet immediately falls in love. Tybalt, Juliet’s cousin, suspects the interloper and unmasks him, revealing his true identity. Enraged at Romeo’s effrontery, the hotheaded Tybalt demands revenge but he is stopped by Lord Capulet. As the guests depart, Tybalt warns Juliet to stay away from Romeo.

Scene IV
Later that night, Romeo waits beneath Juliet’s balcony. When she appears at her window he makes his presence known. Juliet comes down to him and, despite the danger of their situation which has now become all too clear to both, they pledge their love to each other.

ACT II

Scene I
In the market square, Romeo, delirious with love, is gently mocked by Mercutio and Benvolio. Juliet’s Nurse arrives, bearing a letter to Romeo from Juliet, agreeing to secretly marry him. Romeo is overjoyed.

Scene II
As planned, Romeo and Juliet meet with Friar Laurence, who has offered to marry them despite the risk, in the hope that it might bring peace to the warring families. He performs the ceremony and the two young lovers are wed.

Scene III
In the market square, Mercutio and Benvolio encounter Tybalt. Mercutio taunts Tybalt. Romeo enters. Tybalt challenges Romeo to a swordfight but Romeo refuses. Mercutio is less reluctant and, after an exchange of insults, he and Tybalt cross swords and fight. Romeo seeks to intervene and stop them but inadvertently abets Mercutio’s death. A griefstricken and guiltridden Romeo takes up a sword and fights Tybalt, killing him. Lord and Lady Capulet enter, distraught to find Tybalt dead. The Duke arrives and as his guards bear away the bodies of Tybalt and Mercutio, he angrily banishes Romeo, who flees.

ACT III

Scene I
Juliet’s bedroom at dawn. Romeo, although banished, has stayed for his wedding night with Juliet. But now, however sorrowfully, Romeo must depart, before they are discovered. After Romeo has gone, Juliet’s parents enter with Paris and tell her that she is to marry him the following day. Juliet protests but her father brutally silences her. In despair, Juliet rushes off to seek help from Friar Laurence.

Scene II
In his cell, Friar Laurence gives Juliet a vial containing a sleeping draught that will simulate death. He will send word of the plan to Romeo, who will return to rescue her from the family vault when she has awakened.

Scene III
Juliet returns to her bedroom, where she pretends to bow to her parents’ will and marry Paris. Left alone, however, she takes the sleeping draught and falls into a death-like slumber on her bed. In the morning, Lord and Lady Capulet, Paris, the Nurse and several bridesmaids arrive to wake Juliet. The Nurse tries to rouse her but when she doesn’t respond, everyone believes she is dead.

Scene IV
In the Capulet vault, Juliet lies still in her death-like sleep. Romeo enters, but not having received Friar Laurence’s message, believes Juliet is really dead. In despair, he drinks a lethal poison to join her in death. Before he dies, though, he sees Juliet awaken and he realizes the cruel extent of what has happened. When Romeo is dead, Juliet takes his knife and kills herself. The Montagues and Lord Capulet, the Duke, Friar Laurence and others enter to discover the terrible scene. Realizing the part their enmity has played in the tragedy, the Capulets and Montague are reconciled in their sorrow.

Background Notes

Virtual Museum 

The Virtual Museum is an online gallery featuring items held within the National Ballet Archives. Each exhibit surveys the history of a ballet through archival material including programmes, set and costume sketches, photographs, press items, correspondence, footwear, costumes, artifacts and more.

Visit the Romeo and Juliet Virtual Exhibit   > 

Running Times

ACT I –  50 minutes
Intermission – 20 minutes
ACT II – 30 minutes
Intermission – 20 minutes
ACT III – 40 minutes

The performance will run approximately 2 hours and 40 minutes.

Tour Gallery

  • The company prepares to leave for the first tour to London in 26 years
    The company prepares to leave for the first tour to London in 26 years 

    The company prepares to leave for the first tour to London in 26 years.

  •  First Soloist McGee Maddox and Artists of Ballet stretching at the bar at Pearson before the company flies to London.
     First Soloist McGee Maddox and Artists of Ballet stretching at the bar at Pearson before the company flies to London.

    First Soloist McGee Maddox and Artists of Ballet stretching at the bar at Pearson before the company flies to London.

  • A warm welcome at Heathrow airport as Sadler's Wells’ Programming Coordinator Gemma Robinson greets the company and Artistic Administrator Gerard Roxborough.
    A warm welcome at Heathrow airport as Sadler's Wells’ Programming Coordinator Gemma Robinson greets the company and Artistic Administrator Gerard Roxborough.

    A warm welcome at Heathrow airport as Sadler's Wells’ Programming Coordinator Gemma Robinson greets the company and Artistic Administrator Gerard Roxburgh.

  • Set pieces for Romeo and Juliet being loaded in to Sadler’s Wells Theatre.
    Set pieces for Romeo and Juliet being loaded in to Sadler’s Wells Theatre. 

    Set pieces for Romeo and Juliet being loaded in to Sadler’s Wells Theatre.

  • Principal Dancer Greta Hodgkinson in the Sir Frederick Ashton Studio in the historic Sadler’s Wells Theatre before company class.
    Principal Dancer Greta Hodgkinson in the Sir Frederick Ashton Studio in the historic Sadler’s Wells Theatre before company class. 

    Principal Dancer Greta Hodgkinson in the Sir Frederick Ashton Studio in the historic Sadler’s Wells Theatre before company class.

  • CBC The National’s Susan Ormiston interviews Principal Dancers Heather Ogden and Guillaume Côté.
    CBC The National’s Susan Ormiston interviews Principal Dancers Heather Ogden and Guillaume Côté. 

    CBC The National’s Susan Ormiston interviews Principal Dancers Heather Ogden and Guillaume Côté.

  • Karen Kain on camera with Global TV discussing the company's historic London tour.
    Karen Kain on camera with Global TV discussing the company's historic London tour. 

    Karen Kain on camera with Global TV discussing the company's historic London tour.

  • The company enjoys their day off site seeing in London at Buckingham Palace. Greta Hodgkinson and Etienne Lavigne with their son Maxime are joined by McGee Maddox, Christopher Stalzer and Jenna Savella. Photo by Aleksandar Antonijevic.
    The company enjoys their day off site seeing in London at Buckingham Palace. Greta Hodgkinson and Etienne Lavigne with their son Maxime are joined by McGee Maddox, Christopher Stalzer and Jenna Savella. Photo by Aleksandar Antonijevic. 

    The company enjoys their day off site seeing in London at Buckingham Palace. Greta Hodgkinson and Etienne Lavigne with their son Maxime are joined by McGee Maddox, Christopher Stalzer and Jenna Savella. Photo by Aleksandar Antonijevic.

  • Principal Dancers Heather Ogden and Guillaume Côté enjoy the sites in London at Trafalgar Square. Photo by Aleksandar Antonijevic.
    Principal Dancers Heather Ogden and Guillaume Côté enjoy the sites in London at Trafalgar Square. Photo by Aleksandar Antonijevic. 

    Principal Dancers Heather Ogden and Guillaume Côté enjoy the sites in London at Trafalgar Square. Photo by Aleksandar Antonijevic.

  • Principal Dancer Greta Hodgkinson and her husband First Soloist Etienne Lavigne in front of beautiful Big Ben. Photo by Aleksandar Antonijevic.
    Principal Dancer Greta Hodgkinson and her husband First Soloist Etienne Lavigne in front of beautiful Big Ben. Photo by Aleksandar Antonijevic. 

    Principal Dancer Greta Hodgkinson and her husband First Soloist Etienne Lavigne in front of beautiful Big Ben. Photo by Aleksandar Antonijevic.

  • London calling! Principal Dancer Greta Hodgkinson and her husband First Soloist Etienne Lavigne with their son Maxime. Photo by Aleksandar Antonijevic.
    London calling! Principal Dancer Greta Hodgkinson and her husband First Soloist Etienne Lavigne with their son Maxime. Photo by Aleksandar Antonijevic. 

    London calling! Principal Dancer Greta Hodgkinson and her husband First Soloist Etienne Lavigne with their son Maxime. Photo by Aleksandar Antonijevic.

  • Celebrating the illustrious history of the National Ballet at Canada House in London.
    Celebrating the illustrious history of the National Ballet at Canada House in London.
 

    Celebrating the illustrious history of the National Ballet at Canada House in London.

  • The company arrives at Canada House for a special reception welcoming the National Ballet back to London after 26 years.
    The company arrives at Canada House for a special reception welcoming the National Ballet back to London after 26 years. 

    The company arrives at Canada House for a special reception welcoming the National Ballet back to London after 26 years.

  • Canada House celebrates the London tour with speeches by Gordon Campbell, High Commissioner of Canada to the United Kingdom, Sadler’s Wells’ Chief Executive and Artistic Director Alistair Spalding and Karen Kain.
    Canada House celebrates the London tour with speeches by Gordon Campbell, High Commissioner of Canada to the United Kingdom, Sadler’s Wells’ Chief Executive and Artistic Director Alistair Spalding and Karen Kain. 

    Canada House celebrates the London tour with speeches by Gordon Campbell, High Commissioner of Canada to the United Kingdom, Sadler’s Wells’ Chief Executive and Artistic Director Alistair Spalding and Karen Kain.

  • Gordon Campbell, Canadian High Commissioner to the United Kingdom, with Principal Dancers Heather Ogden and Guillaume Côté at Canada House.
    Gordon Campbell, Canadian High Commissioner to the United Kingdom, with Principal Dancers Heather Ogden and Guillaume Côté at Canada House. 

    Gordon Campbell, Canadian High Commissioner to the United Kingdom, with Principal Dancers Heather Ogden and Guillaume Côté at Canada House.

  • 40 donors from Canada are in London to show their support including Board Chair David Binet and Board member Gretchen Ross with Principal Dancer Aleksandar Antonijevic.
    40 donors from Canada are in London to show their support including Board Chair David Binet and Board member Gretchen Ross with Principal Dancer Aleksandar Antonijevic. 

    40 donors from Canada are in London to show their support including Board Chair David Binet and Board member Gretchen Ross with Principal Dancer Aleksandar Antonijevic.

  • Renowned Financial Times dance critic Clement Crisp with Karen Kain at the Canada House reception in London.
    Renowned Financial Times dance critic Clement Crisp with Karen Kain at the Canada House reception in London. 

    Renowned Financial Times dance critic Clement Crisp with Karen Kain at the Canada House reception in London.

  • Corps de Ballet members Jackson Dwyer, Tiffany Mosher and Lise-Marie Jourdain celebrate the National Ballet’s return to London at Canada House.
    Corps de Ballet members Jackson Dwyer, Tiffany Mosher and Lise-Marie Jourdain celebrate the National Ballet’s return to London at Canada House. 

    Corps de Ballet members Jackson Dwyer, Tiffany Mosher and Lise-Marie Jourdain celebrate the National Ballet’s return to London at Canada House.