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New Choreographic Voices
Updated May 5, 2021

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Part of The National Ballet of Canada’s 2020/21 virtual season, Spotlight Series features curated digital presentations of new and existing work. The Series reflects the company's ongoing commitment to commission new work, even during these challenging times. Artistic Director Karen Kain says, “It has been a true joy curating this series for our digital stage, pursuing vibrant, unique creations and working with new choreographic voices.”

Spotlight Series includes three commissioned works plus four existing ballets or excerpts shot by acclaimed directors for digital presentation. The world premieres are by renowned Canadian dancemakers, two of whom are making choreographic debuts with the company: Jera Wolfe and Kevin A. Ormsby.

Soul by Jera Wolfe

Jera Wolfe is Associate Artist at Red Sky Performance, a Toronto-based company devoted to contemporary Indigenous performance. A choreographer and dancer of M├ętis heritage, Wolfe has created powerful new work for companies and festivals around the world, including Fall for Dance North, Festival des arts de Saint-Sauveur and The Royal Winnipeg Ballet. In 2019, he won the prestigious Dora Mavor Moore Award for Outstanding Original Choreography for Trace, a work inspired by Indigenous sky and star stories.

In Soul, his first work for the National Ballet, Wolfe asks how the intricacies of private relationships manifest in the body – in movements, expressions and touch – making brilliant use of film technology to show that the full scope of a relationship can never be known from the outside. To do this, he choreographed two separate duets to the same piece of music by Max Richter. Each duet will be filmed and they will be edited together as one, creating a gorgeous meditation on the intimacy of relationships as worlds unto themselves.

“The audience will see roughly half of each duet,” Wolfe explains. “This reinforces that you can’t know everything about a relationship. The things that they’ve experienced privately are what makes them special. It’s a simple concept but very powerful.”

Learn more about Soul > 


Trase Pa by Kevin A. Ormsby

For his choreographic debut with the National Ballet, Kevin A. Ormsby created an eclectic trio about the lived experiences or ancestries that dancers, musicians and audiences bring to the shared space of dance. The theme also emerges in the music, “Traces,” by Haitian-born, Montreal-based composer David Bontemps.

“David is interested in ancestry,” Ormsby says. “He’s taken several musical structures and movements from Haiti to compose the work. I’m interested in the ways in which we arrive in a creative space to do the work that we do as dancers. What are the ancestries and the things that we carry into that space?”

Ormsby, who is Artistic Director of Toronto’s KasheDance, uses a diverse choreographic vocabulary to infuse the dancers’ natural movements with contemporary dance and ballet. His creative process was deeply collaborative. He even invited the dancers to articulate their approach to the music and choreography in writing.

“I had the best time in the studio with the dancers, just thinking about the stage as a responsive space, an observing space. How do we contemplate our own impact on the world? How do we observe others in space?”

Learn more about Trase Pa >

Watch New Voices > 


Photos:
Kevin A. Ormsby in rehearsal for Trase Pa. Photo by Paul McNulty.
Kevin A. Ormsby. Jera Wolfe. Photos by Karolina Kuras.

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