Alexandra MacDonald

First Soloist

Alexandra MacDonald View Gallery


Alexandra MacDonald was born in Calgary, Alberta and trained at the International School of Ballet in Calgary, Alberta and Boston Ballet’s Trainee Programme in Massachusetts. She joined The National Ballet of Canada as a RBC Apprentice in 2007 and was promoted to First Soloist in 2016.

“Alexandra MacDonald as the Principal Fairy, was a particular stand-out. Tall and willowy, she is blessed with a stately presence and crisp technique. Definitely one to watch.”
The Globe and Mail

Alexandra has danced such roles as Princess Aurora in The Sleeping Beauty, Snow Queen in The Nutcracker, Hungarian Princess in Swan Lake, Myrtha, Queen of the Wilis, in Giselle, Titania in The Dream, Choleric in The Four Temperaments and La Vaniteuse in Le Petit Prince. She has also danced roles in the world premiere of Frame by Frame by Robert Lepage and Guillaume Côté as well as in such ballets as Romeo and Juliet, Cinderella, Onegin, Alice’s Adventures in Wonderland, Nijinsky, Don Quixote, La Fille mal gardée, Hamlet, The Seagull, Pinocchio, The Concert, Symphony in C, Elite Syncopations, Opus 19/The Dreamer, Theme and Variations, The Four Seasons, West Side Story Suite, Glass Pieces, Carousel (A Dance), Emergence, Cacti and The Dreamers Ever Leave You.

Alexandra was the recipient of the 2017/18 David Tory Award. In 2010, she received the Patron Award of Merit. She was a finalist in the Youth America Grand Prix and competed in the Prix de Lausanne in 2007. In 2006, she received the Royal Academy of Dance Solo Seal Award and was a finalist in the Genée International Ballet Competition.

Alexandra MacDonald is sponsored through Dancers First by an anonymous donor.

Quick Facts

Born: Calgary, Alberta
Trained: International School of Ballet in Calgary, Alberta and Boston Ballet School’s Trainee Program in Massachusetts
Joined: 2007
First Soloist since: 2016


The Nutcracker
“Snow Queen (Alexandra MacDonald)… Her pure classical lines and refined (but never too modest) port de bras seems to flow from the same source as her solidity, her high legs and powerful turns.”
— The Globe and Mail

The Four Temperaments
“Alexandra MacDonald seemed to have been dropped onstage from New-York-City-Ballet heaven… not only technically impeccable, but also fiercely present and possessing a maturity that exceeds her years.”
— The Globe and Mail