In his 2013 work Paz de la Jolla, New York City Ballet dancer and Resident Choreographer Justin Peck has created a heartfelt and sun-washed homage to his southern California upbringing. Set to Martinů’s Sinfonietta la Jolla, the ballet is a gorgeously conceived, sweet-natured billet-doux to beach life and young love, the choreography both brisk and languid, salty and sensual, rich in emotional undercurrents and evocative of the pleasures and fears of youth and coming of age.
George Balanchine’s Apollo is one of the signal moments in both the choreographer’s oeuvre and in the legacy of cultural modernism. The famous collaboration between Balanchine and Igor Stravinsky produced some of ballet’s most legendary works, and perhaps none was as groundbreaking nor realized their aims of a neo-classical art form, as this 1928 ballet. The work almost singlehandedly established a new aesthetic that brought the language of classical ballet into a modern context, merging the past with the future in a way that would alter our conception of ballet forever.
Frederick Ashton's The Dream, based on Shakespeare's A Midsummer Night's Dream, is one of the most universally admired and artistically satisfying of all ballet adaptations of the playwright's work. Using Felix Mendelssohn's beloved music, arranged by John Lanchbery, Ashton's version of the play is a miracle of dramatic concision, giving us the familiar characters of Titania and Oberon, the four confused lovers, Puck and the rude mechanicals in a taut but lyrical one-act re-imagining of the story set in Victorian times. Ashton's vibrant, moonlit choreography is seamlessly integrated with every magical shift in the narrative's mood.
“Simply put, Apollo is on a short list of the greatest ballets ever.” The National Post
Paz de la Jolla
“Peck once again shows his skill with structure, group geometries, detailed ballet phrasing, and showcasing his peers to great advantage” —Dance Magazine
“Paz de la Jolla is an immensely pleasing and satisfying ballet.” —DanceTabs
“Apollo is an exceptional piece of dance architecture, beautifully danced” — The Globe and Mail
“Nothing was more impressive than the revival of George Balanchine’s legendary Apollo… Apollo’s cool, posed beauty seems as fresh and powerful as ever” — Times Colonist
“Balanchine’s Apollo with music by Stravinsky is filled with beautiful photographic tableaus”. — National Post
“Shakespeare’s magical comedy of exotic fairies and bewitched mortals, has been served splendidly by Ashton’s elegant dancemaking.” — The Hamilton Spectator
“Ashton’s vision is the very essence of Shakespeare’s delightful comedy.” — Toronto Sun
“Sparkles with a wit and clarity few choreographers can match.” — The Buffalo News
Paz de la Jolla
Reid Bartelme and Harriet Jung
Lead philanthropic support for Paz de la Jolla is provided by The Volunteer Committee of The National Ballet of Canada and The Producers’ Circle.
The Producers’ Circle: Gail & Mark Appel, John & Claudine Bailey, Inger Bartlett & Marshal Stearns, Susanne Boyce & Brendan Mullen, Gail Drummond & Bob Dorrance, The Thor E. and Nicole Eaton Family Charitable Foundation, Sandra Faire & Ivan Fecan, Kevin & Roger Garland, Emmanuelle Gattuso, C.M. and Allan Slaight, C.M., Ira Gluskin & Maxine Granovsky Gluskin, The William & Nona Heaslip Foundation, Rosamond Ivey, Hal Jackman Foundation, Anna McCowan-Johnson & Donald K. Johnson, O.C., Judy Korthals & Peter Irwin, Judith & Robert Lawrie, Mona & Harvey Levenstein, Jerry & Joan Lozinski, The Honourable Margaret Norrie McCain, C.C., Julie Medland, Sandra Pitblado & Jim Pitblado, C.M., Lynda & Jonas Prince, Susan Scace & Arthur Scace, C.M., Q.C., Gerald Sheff & Shanitha Kachan, Sandra Simpson and Noreen Taylor, C.M. & David Staines, C.M., O.Ont.
Igor Stravinsky, Apollon Musagète
Apollo is a gift from The Volunteer Committee, The National Ballet of Canada.
Felix Mendelssohn Bartholdy
Overture and Incidental Arrangment:
Scenery and Costume Design:
Thomas Saunders after The Royal Ballet design
The company`s Canadian tours are made possible with the generous support of The John and Margaret Bahen Fund of The National Ballet of Canada, Endowment Foundation.
Ticket onsale information coming soon.
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