Frederick Ashton's The Dream, based on Shakespeare's A Midsummer Night's Dream, is one of the most universally admired and artistically satisfying of all ballet adaptations of the playwright's work. Using Felix Mendelssohn's beloved music, arranged by John Lanchbery, Ashton's version of the play is a miracle of dramatic concision, giving us the familiar characters of Titania and Oberon, the four confused lovers, Puck and the rude mechanicals in a taut but lyrical one-act re-imagining of the story set in Victorian times. Ashton's vibrant, moonlit choreography is seamlessly integrated with every magical shift in the narrative's mood.
National Ballet Principal Dancer Guillaume Côté has always brought to the many roles he has performed an unstinting spirit of passionate exploration and emotional honesty. As a Choreographic Associate with the company, those same principles apply. In Being and Nothingness from 2015, he finds in his source material, Jean-Paul Sartre's landmark philosophical work of the same name, questions of freedom, the nature of selfhood and the meaning of existence and illuminates those abstract ideas in his highly expressive, richly physical choreographic style.
“Shakespeare’s magical comedy of exotic fairies and bewitched mortals, has been served splendidly by Ashton’s elegant dancemaking.” — The Hamilton Spectator
“Ashton’s vision is the very essence of Shakespeare’s delightful comedy.” — Toronto Sun
“Sparkles with a wit and clarity few choreographers can match.” — The Buffalo News
Being and Nothingness
“Being and Nothingness is continuously inventive… the National Ballet’s dancers are thrilling to watch.” — Toronto Star
“Being and Nothingness, based on the work by Jean-Paul Sartre, offers a riveting expression of the ideas around the nature of existence, done with a definite visual poetry that makes for compelling watching.” — Play Anon.com
"Achingly beautiful" — National Post
Jillian Vanstone (November 21, 23, 24 at 7:30 pm/November 25 at 2:00 pm)
Elena Lobsanova (November 22 at 2:00 pm)
Aya Okumura (November 22 at 7:30 pm)
Alexandra MacDonald (November 24 at 2:00 pm)
Harrison James (November 21, 24 at 7:30 pm)
Evan McKie (November 22 at 2:00 pm)
Naoya Ebe (November 22 at 7:30 pm)
Guillaume Côté (November 23 at 7:30 pm/November 25 at 2:00 pm)
Brendan Saye (November 24 at 2:00 pm)
Part 3 – The Door
Chelsy Meiss and Jack Bertinshaw (November 21, 23, 24 at 7:30 pm)
Meghan Pugh and Skylar Campbell (November 22 at 2:00 pm/November 22 at 7:30 pm)
Aya Okumura and Jack Bertinshaw (November 24, 25 at 2:00 pm)
Part 5 – The Living Room
Svetlana Lunkina and Brendan Saye (November 21, 23, 24 at 7:30 pm)
Hannah Fischer and Christopher Gerty (November 22, 24 at 2:00 pm)
Heather Ogden and Brendan Saye (November 22 at 7:30 pm/ November 25 at 2:00 pm)
Part 6 – The Street
Joe Chapman, Jimmy Coleman, Trygve Cumpston, Giorgio Galli, Christopher Gerty or Peng-Fei Jiang, Spencer Hack or Alexander Skinner, Teagan Richman-Taylor, Kota Sato or Larkin Miller, Donald Thom, Nan Wang or Nicholas Rose, Ethan Watts
Part 7 – The Call
Greta Hodgkinson and Ben Rudisin (November 21, 22, 23 at 7:30 pm)
Tanya Howard and Guillaume Côté (November 22 at 2:00 pm/November 24 at 7:30 pm)
Jenna Savella and Piotr Stanczyk (November 24, 25 at 2:00 pm)
All casting is subject to change.
The Dream Historical Note
by Sandra Evan-Jones
Anthony Dowell and Christopher Carr
Felix Mendelssohn, arranged by John Lanchbery
Set and Costume Design:
Thomas Saunders after Royal Ballet designer
Karen Kain, Christopher Stowell, Rex Harrington and Mandy-Jayne Richardson
The National Ballet Orchestra with the St. Michael’s Choir School,
Executive Director: Stephen Handrigan
Soloists: Jean Paul Feo and Liam McAlpine
Being and Nothingness
Lead philanthropic support for Being and Nothingness is provided by an anonymous friend of the National Ballet, The Volunteer Committee of The National Ballet of Canada and The Producers’ Circle.
The Producers’ Circle: John & Claudine Bailey, Susanne Boyce & Brendan Mullen, Gail Drummond & Bob Dorrance, Sandra Faire & Ivan Fecan, Kevin & Roger Garland, Emmanuelle Gattuso, C.M. and Allan Slaight, C.M., The William & Nona Heaslip Foundation, Rosamond Ivey, Hal Jackman Foundation, Anna McCowan-Johnson & Donald K. Johnson, O.C., Judy Korthals & Peter Irwin, Judith & Robert Lawrie, Mona & Harvey Levenstein, Jerry & Joan Lozinski, The Honourable Margaret Norrie McCain, C.C., Julie Medland, Sandra Pitblado & Jim Pitblado, C.M., Lynda & Jonas Prince, Susan Scace & Arthur Scace, C.M., Q.C., Sandra Simpson and Noreen Taylor & David Staines, C.M., O.Ont.
The National Ballet invites you to attend the Ballet Talk 45 minutes before every show in the Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts.
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