Speaking of her design process for The Taming of the Shrew in 1992, Benson explained: “My choice of fabrics comes from the way my pen behaves on paper. I know where I want to go with the shape and feel of it. In Shrew I use pastels which are quite soft and changeable.”

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Top image credit: The National Ballet of Canada tutus on display. Photo by Setareh Sarmadi.