Adieu

Principal Dancer and Choreographic Associate of The National Ballet of Canada, Guillaume Côté is a choreographer of unique vision and talent. His work for the National Ballet includes Frame by Frame, Le Petit Prince, Being and Nothingness, Venom and the short film Lulu, which won Best International Short Film at the 2020 Milan International Film Festival. Other work includes Fractals: a pattern of chaos for ProArteDanza (2011) and PHI for Canada’s Royal Winnipeg Ballet (2021). He choreographed the short films Lost in Motion and Lost in Motion II, that have garnered over 8.3 million views online. Guillaume founded his own company Côté Danse in 2021. For Côté Danse, in collaboration Robert Lepage, he created The Tragedy of Hamlet, Prince of Denmark which will tour across Canada and US throughout 2024 and 2025. He is Artistic Director of Festival des Arts de Saint-Sauveur, one of the largest summer dance festivals in the country. In 2021, Guillaume was appointed a Chevalier de l’Ordre national du Québec for his significant contribution to the arts in Québec.

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Principal Dancer and Choreographic Associate of The National Ballet of Canada, Guillaume Côté is a choreographer of unique vision and talent. His work for the National Ballet includes Frame by Frame, Le Petit Prince, Being and Nothingness, Venom and the short film Lulu, which won Best International Short Film at the 2020 Milan International Film Festival. Other work includes Fractals: a pattern of chaos for ProArteDanza (2011) and PHI for Canada’s Royal Winnipeg Ballet (2021). He choreographed the short films Lost in Motion and Lost in Motion II, that have garnered over 8.3 million views online. Guillaume founded his own company Côté Danse in 2021. For Côté Danse, in collaboration Robert Lepage, he created The Tragedy of Hamlet, Prince of Denmark which will tour across Canada and US throughout 2024 and 2025. He is Artistic Director of Festival des Arts de Saint-Sauveur, one of the largest summer dance festivals in the country. In 2021, Guillaume was appointed a Chevalier de l’Ordre national du Québec for his significant contribution to the arts in Québec.

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Toronto native, Jeff Logue joined The National Ballet of Canada in 2009 as Lighting Coordinator. For the National Ballet, he has created designs for various ballets, including The Sea Above, The Sky Below, Self and Soul, The Wild Space Between Two Hearts, …black night's bright day…, Unearth, Watershed, Crepuscular, On Solid Ground and Skyward. Before joining the company, Jeff worked at the Shaw Festival for over 14 seasons, including six productions as Lighting Designer and more than 30 productions as Associate Lighting Designer. In addition, he worked on I, Claudia, for which he was nominated for both Dora Mavor Moore and Betty Mitchell Awards. Jeff was the Associate Lighting Designer for Urinetown (Canadian Stage) and Assistant Lighting Designer for The Producers (Mirvish Productions) and has worked at most of Canada’s larger regional theatres. He studied theatre production at York University.

Ethan Colangelo (he/him) was born and raised in Toronto where he began his training at Canada’s National Ballet School and Elite Danceworx. He is an alumni of The Juilliard School where he received the Hector Zaraspe Prize for Choreographic Promise. He was appointed Choreographic Associate of The National Ballet of Canada in 2023. Most recently, Ethan has created new works for Ballet BC, BODYTRAFFIC, Whim W’Him Contemporary Dance, Ballet Edmonton and the National Ballet. He was also one of nine choreographers selected worldwide for the Copenhagen International Choreography Competition in 2018 and 2021. At the competition in 2021, his piece recurrence won the Audience Choice Award along with the DAF Production Prize. Ethan has also taught and made new creations for educational institutions such as The Juilliard School, The Ailey School, Arts Umbrella Dance Company, Springboard Danse Montréal, Nuova X, DAF in Rome and MOVE NYC. He has presented his own work at Orsolina28, The Baryshnikov Arts Center, Festival des Arts de Saint-Sauveur, The Queen Elizabeth Theatre, APAP, Alice Tully Hall in Lincoln Center, The Toronto Museum of Contemporary Art and the Brooklyn Academy of Music. Following this premiere, Ethan is deeply humbled and excited to be creating a new work for Netherlands Dance Theater 2 this fall.

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Toronto native, Jeff Logue joined The National Ballet of Canada in 2009 as Lighting Coordinator. For the National Ballet, he has created designs for various ballets, including The Sea Above, The Sky Below, Self and Soul, The Wild Space Between Two Hearts, …black night's bright day…, Unearth, Watershed, Crepuscular, On Solid Ground and Skyward. Before joining the company, Jeff worked at the Shaw Festival for over 14 seasons, including six productions as Lighting Designer and more than 30 productions as Associate Lighting Designer. In addition, he worked on I, Claudia, for which he was nominated for both Dora Mavor Moore and Betty Mitchell Awards. Jeff was the Associate Lighting Designer for Urinetown (Canadian Stage) and Assistant Lighting Designer for The Producers (Mirvish Productions) and has worked at most of Canada’s larger regional theatres. He studied theatre production at York University.

Toronto-born Jennifer Archibald is the founder and Artistic Director of the Arch Dance Company and Program Director of ArchCore40 Dance Intensives. Jennifer has choreographed for Ailey II, Atlanta Ballet, Ballet West, Charlotte Ballet, Oregon Ballet Theatre, Pittsburgh Ballet Theatre, Sacramento Ballet, Tulsa Ballet, among others. Commercially, she has worked for NIKE, MAC Cosmetics and Tommy Hilfiger. Jennifer will return to Crypto Arena to choreograph the opening for KCON's Annual Conference. She was appointed as the first female Resident Choreographer in Cincinnati Ballet’s 40-year history. Jennifer has been commissioned by BalletMet, Grand Rapids Ballet, BalletX, The Washington Ballet, Smuin Contemporary Ballet and The Kennedy Center’s Pathways to Performance Choreographic Program to deliver new works in 2025. Jennifer was the acting Movement Director for Michael Kahn’s The Oresteia at Shakespeare Theatre Company and her directorial debut WeAight was named the Official Selection of the 2022 Dance on Camera Festival. She creates a “documentary ballet” format, in which she creates works rooted in historical history, bringing communities together. Her documentary ballets are theatrical engagements that evolve beyond the stage and rely on historical education as an integral part of the creative process. Currently, Jennifer is an Acting Lecturer at Yale School of Drama.

Emily Morgan is a designer whose work spans multiple genres. She is Costume Director at Shakespeare Theatre Company in Washington, D.C. with recent design commissions at The Washington Ballet, BalletMet, The National Ballet of Canada and Richmond Ballet. Selected design work for dance includes projects with Jennifer Archibald, Levi Marsman, Tom Mattingly, Norbert De La Cruz III, Yury Yanowski and David Parsons, among others. Other costume direction and design work includes digital media, opera, regional theatre and off-Broadway, most notably for Daryl Roth Productions, The Working Theater and New Georges. Her international design work includes The Physicists for The State Hungarian Theatre of Cluj, Romania. Emily was nominated for a NY Innovative Theatre Award for Best Costume Design of a Play for Angel Eaters. Emily holds an MFA in Costume Design from the University of California, San Diego.

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Jeff Morris joined The National Ballet of Canada in 1995. Born in Toronto, he studied technical theatre production and administration at Ryerson’s Theatre School (now Toronto Metropolitan University). From 1990 to 1995, he was Production Stage Manager for Toronto Dance Theatre, including the company’s debuts in Berlin, Warsaw, Tokyo and at the Joyce Theater. He was Production Stage Manager for Dancers for Life (1991 – 1997), Stage Manager for Theatre Passe-Muraille (Never Swim Alone) and for the Fringe Festival of Independent Dance Artists. Since joining the National Ballet, Jeff has stage-managed a wide range of the company’s unique classical and contemporary repertoire, including the world premieres of James Kudelka’s The Four Seasons, Cinderella and An Italian Straw Hat, Crystal Pite’s Emergence and Angels’ Atlas and Guillaume Côté’s Le Petit Prince and Frame by Frame (with Robert Lepage). Company premieres include John Neumeier’s The Seagull, A Streetcar Named Desire, Nijinsky and Anna Karenina and Christopher Wheeldon’s Alice’s Adventures in Wonderland and The Winter’s Tale. He is a board member and instructor for SMArts and Festival CoDirector for dance:made in Canada/fait au Canada.

Alex Wommack (she/her) was born and raised in Waco, Texas and holds a Bachelor of Arts in Theatre from Samford University in Birmingham, Alabama. Her passion for ballet led her to work with Alabama Ballet while completing her undergraduate degree. At Alabama Ballet, she stage-managed works by Jiří Kylián, Agnes de Mille and Sir Frederick Ashton. Following graduation, she moved to Seattle and joined the Stage Management team at Seattle Opera, where highlights included Porgy and Bess, The Barber of Seville and Flight. In 2017, she worked with Pacific Northwest Ballet as an Assistant Stage Manager for George Balanchine's The Nutcracker and then joined the company as Stage Manager in 2020. She is a member of AGMA and served two terms as the staging staff representative for the Northwest area on the National Board of Governors. Outside of her professional work, Alex is actively involved with Books to Prisoners, an organization that fosters a love of reading and help break the cycle of recidivism in American prisons.

Anna Spencer is a Toronto-based stage manager originally from Cape Breton, Nova Scotia. Previous credits include Emma Bovary (The National Ballet of Canada), Wozzeck, Faust, La Boheme (Canadian Opera Company), Ladies of the Canyon, The Big Easy, Detroit, A Christmas Carol (Soulpepper), The Bidding War (Crow’s Theatre), Rosencrantz & Guildenstern are Dead (Neptune Theatre/ Mirvish Productions), Women of the Fur Trade, The Crucible (Stratford Festival), The Rocky Horror Show (Neptune Theatre), Cabaret and Prom Queen (The Grand Theatre). Anna is an instructor and graduate of Toronto Metropolitan University’s Performance Production Program.